TVD Live Shots: George Thorogood & the Destroyers at Shepherd’s Bush Empire, 7/29
Courtesy TheVinyl District
George Thorogood is a bit of a mythical figure to me. Growing up in the midwest of the US, I was eight years old when I first saw the video for “Bad to the Bone.” Here’s this regular-looking dude walking into a pool hall with a guitar case that, instead of a Gibson, had a pool cue in it. He would go on to hustle the legendary bluesman Bo Diddley (I had no idea who he was at that time). I thought it was a bit strange for a storyline for a music video, but there was no denying that this guy was a bad motherfucker when it came to playing the blues. Is he a shredder like SRV or Hendrix? No. He’s got style, he’s got finesse, and most importantly, he’s got attitude.
Fast forward 40 years (Jesus, I’m getting old), and I get my first chance to see him live, and he brought the Destroyers. Celebrating 45 years of rock, the show that had been postponed several times finally arrived at London’s famed Shepherd’s Bush Empire. George came out on stage, immediately walked up to the front, and gave all the photographers in the pit a chance at an epic shot—then he went straight for the crowd. I’ve never seen anyone have such a good time playing the blues. He made the sold-out, packed to the gills theatre feel like the roadhouse saloon somewhere outside of Philadelphia. He was cracking jokes, chatting directly with the crowd, telling stories, and making quips; it was as if George knew the crowd intimately.
And I’m here to tell you, George didn’t miss a beat. His personality and that character I saw in the “Bad to the Bone” video is authentic; that’s just how he is. Even the security guy told me he was making jokes and telling stories to the staff during soundcheck. You can clearly see in the photos that George was on fire, and the Destroyers were tight as can be with original band members Billy Blough and Jeff Simon holding down the groove. For me, this puts a show over the top, seeing someone who’s been doing it for this long and still looks like they are having the time of their life.
The setlist may have seemed a bit short, but each song took on a life of its own with the banter and the mesmerizing riffs and solos. All the classics were there, “Who Do You Love,” “I Drink Alone,” “Move it on Over,” and “Get a Haircut.” But the true standouts of the night were a blistering version of “Gear Jammer,” an extended jam of “One Bourbon, One Scotch, One Beer” which had the audience losing their minds, and of course, “Bad to the Bone.” This one took me back to that eight-year-old kid who wanted to be like George. I can 100% confirm that he’s still as cool as ever, and he can still mesmerize.
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AUGUST 2022 BOOGIE PEOPLE FAN OF THE MONTH
Congratulations to the Boogie People Fan of the Month for August 2022 Ed G! Learn more about Ed below!
Where are you from?: From Westminster, MA but living in Bradenton, FL for 22 years
How many years have you been a fan?: Since watched him open for the Stones on HBO back in 1981
What is your favorite George Thorogood song: Gear Jammer
How many times have you seen George Thorogood live? Not sure how many, been seeing George whenever I can since first time at Worcester Centrum in Mass after bought the new Maverick album, think it was 1985? Fave show might be one from early 90's in Pompano Beach, FL where he had Little Feat on the bill.
What’s one thing that sets you apart from other George Thorogood fans?: Back in 85 & 86 I tended bar at the Rathskellar in Coral Gables FL while going to school there, and every night that I worked I ran up to the DJ booth when we closed to spin the vinyl "Move it on Over" album while we all cleaned up, had a few more beers, sometimes a few more than a few.
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Allen's Corner On The Music Scene
What George Thorogood Found Impressive About Sammy Hagar
By Matt Wardlaw for UltimateClassicRock.com
George Thorogood and Sammy Hagar recently wrapped up the first leg of their Crazy Times summer tour, which will resume on Aug. 23 in Clarkston, Mich.
Both artists delivered high-energy sets under challenging conditions. Temps were in the low 90s as Thorogood walked onstage at Blossom Music Center in Cuyahoga Falls, Ohio, sweating profusely before he and the band even played a note.
Yet the blues-rocker was in great form for the "Thursday night rock party," as he termed it. He spoke frequently to the crowd, even throwing a good-natured jab at Hagar. "Sammy's backstage mixing up some high-octane tequila, but we're gonna serve up a bourbon, scotch and beer," he teased, a song or two before the fan-favorite cover arrived in the set list.
The pair has shared some good times already, as a recent post on Hagar's Instagram demonstrated. "He came out and watched our entire set," Thorogood tells UCR. "That's impressive from a Rock & Roll Hall of Famer." He also commented on Hagar's stage attire. "Sammy has come a long way with his wardrobe. I saw him on TV once and he was wearing a hockey uniform," Thorogood says. "I thought, 'Man, are you a hockey player or a rock 'n' roll star, buddy?'"
We spoke with Thorogood on the afternoon following the Ohio date. His tour bus had already made its way to "somewhere in Canada" for the next part of the adventure, as he continues to play additional shows.
One of the songs that has long been a staple in your set is "Night Time." How did you first come across that one?
A friend of ours who lived in the neighborhood was in a band called Spectrum. They were doing a battle of the bands. His band did that, and I’d never heard the song before. It had just come out. I said, “Man, I’ve got to learn that song.” Every band I’ve ever been in since I was a kid, I made them learn the song “Night Time.” Actually, we cut it back in 1974 and we had a dynamite version of it. I wanted it to be our first single. I wanted it to be our initial thing, and then we’d follow it up with an album the next year. It ended up on a bootleg record, like five years later, on the Better Than the Rest album – a really terrible record – but the song did finally see the light of the day. Our bass player at that time hated the song because it's a heavy bass song. This guy was really lazy. [Laughs.] He didn’t want to do anything, but he was a huge J. Geils Band fan. I said, “Listen, we’ve got to do this tune before J. Geils gets a hold of it.” He goes, “J. Geils would never touch this song.” Out comes the Love Stinks album and guess what’s on the album? I think it was their first gold record. So I can pick ‘em, OK?
The guitar parts on that song are really fun. It seems impossible to be in a bad mood when you're playing stuff like that.
That’s the idea of our band; that’s what we’re about. Nothing more, nothing less. Our leadoff song is “Rock Party.” That says it all. J. Geils leads off with “(Ain’t Nothin’ But a) House Party,” I mean, that’s who we are. That’s what we are. To look beyond that, people would say, “You guys are like a bar band.” We’re more like a party band. That’s just evolved over the years. Jeff Simon, our drummer, he was the one who really inspired us. That was his input with our act. I was a little too serious. Jeff was trying to lighten me up a little bit, saying, “You know, George, there’s only one Taj Mahal. There’s only one John Hammond.” He said, “Be George. Be what you are.” He was the one who encouraged me and helped me to find myself as a performer.
How did you develop your version of John Lee Hooker's "One Bourbon, One Scotch, One Beer" back in the day?
Well, it just kind of evolved. We were playing it in a three-piece in Boston. Jeff Simon and I had just been evicted from our house, and we didn’t really have any place to go. I’d been listening to just about everything that John Lee Hooker had ever done up until that point. Everybody was watching the World Series: There was about 15 people in the club, that’s about it, including our bass player and drummer. I went up to the stage, picked up the guitar and started doing “House Rent Boogie” by John Lee Hooker. As I was playing it, I started talking and magically, our bass player and drummer came up and just bam, kicked it into “One Bourbon, One Scotch, One Beer.” The connection was made and the bar emptied and the dance floor was packed. I said, “Aha! We’ve got something there. Let’s stay with it.”